A small series of photographs displaying Monday’s Outfits, re-tuned for celebrating the last long WGT night, honouring the feudal bastille‘s harsh dancefloor atmosphere through a matching equilibrium in fashionwear.
Category Archives: Concepts
Gothic Aristocrats
Posted by Discipulus
on February 18, 2012
6 comments
End of Chapter / Retrospective
Posted by Discipulus
on December 26, 2011
8 comments
When embarking on this blogging adventure I did not know where this platform was going to take me, but now that I’m concluding the first year of sharing these unearthly visions of mine, I feel strengthened in the validity of my designs and proud in managing this unequivocally structured weblog.
With 246 posts, containing 430 photographs, divided over nine distinct categories, I consider these pages to be a commendable collection of my thoughts and efforts throughout the past year and I can honestly say that I am looking forward to continue writing these little articles as I am learning my way through creating these things that I want to see made.
And so I leave you here with my last work for 2011; this thespian depiction of the Vampire Outfit, making a promise to return in February, charged with plenteous fresh ideas.
-Discipulus
Gothic Artist, Keeper of Opus Relinque
2012′s Primary Outfits
Posted by Discipulus
on December 25, 2011
2 comments
The preliminary designs for the upcoming Wave Gothic Treffen festival display a strong anchorage in day by day venturing, conceptualising addressed sub-scenes through color-indicated line-impressions, embarking on new experiments as well as revisiting some older ones through the means of creating a continuous play of tailored bodices and flowing length throughout the five festival days, making each outfit a well thought-out combination of natural and synthetic materials, with a newly found attention towards head decoration.
Vampiric Ensembles
Posted by Discipulus
on November 27, 2011
3 comments
Delineating the outfit conceptuals for a forthcoming dark-themed ball, combining my creations into original interpretations for the vampire, both having to work well for strolling as for dancing throughout the night.
The primary, forms an archetypal vampire’s outfit, high on excesses with wool trousers, a satin shirt, velvet vest and bracers, a silk tied scarf, red hair, a fur covered top-hat, smothered by a chain-draped gothic cape.
The secondary, depicts a more modernistic approach, limiting to fashion essentials with a velveteen blouse, fur-covered leggings, ostrich feather collar, cuffs and crown, to be engaged in a wide velvet/cashmere coat.
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